Why should a shmuck like Deckard live for 50+ years when Roy in his 4 short years has seen attack ships burning off the shoulder of Orion and seen C-beams glitter in the dark "If only you could see what I've seen with your eyes," he proudly and warmly tells one of the scientists who helped create him.
This is a man who possesses a strong conviction that he deserves life perhaps because he looks around on earth and sees people squandering their existence while he knows he only has a few short moments. Roy Batty (Rutger Hauer) in particular, whose strangely sympathetic in that his murderous tendencies spawn directly from his fear of dying.
Origami elephant easy movie#
He finds another clue that might lead somewhere (albeit, since it's a movie it's a good guess the clue does lead somewhere.) In my mind at least moments such as the Voight-Kampff scenes, Deckard's briefing, the photograph analysis, both of Rachel's scenes in Deckard's apartment gives the world of Blade Runner a solid grounding so later on it can get away with the absurd. Things don't magically fall into place with a Scooby-Doo moment of revelation. And perhaps what I like most about the scene: the audience, and even Deckard himself, doesn't even really know what he's found. The voice-activation not only serves as a staple sci-fi device, but cleverly allows Deckard to take the audience's hand and guide them through this investigative process. The task is presented as a dull monotonous job (made especially evident in Harrison Ford's delivery), yet the scene, itself, never bores. Later on, Deckard sits in front of a voice-activated screen analyzing a photograph. More or less a mundane questionaire/interview with a typical sci-fi gadget sitting on the table, but Ridley Scott and Terry Rawlings compacts the lengthy endeavor into a few short moments using a stunningly simple montage.
Origami elephant easy plus#
Plus some of the other quiet moments resonate with a truer low-key science-fiction feel such as the scene in Tyrell corporation where Deckard applies the Voight-Kampff test to Rachel. Hearing Deckard stumbling in the other room, she looks out of the corner of her eye and shot after shot after shot through this entire sequence demonstrates absolute mastery over the frame. Later in that same scene, she sits at the piano, plays for a bit, and then lets her hair down. An emotional wreck of killing another replicant on top of the revelation that she, herself, is a replicant – she stands by a window where light floods in, so much light that the whole screen goes white, and then it recedes again and we see the characters again. My favorite scene comes when Rachel has saved Deckard's life. I like the movie in its action scenes, but I simply adore it during the quieter moments – the parts where not a whole hell of a lot is happening, and you can simply watch and absorb Jordan Cronenweth's marvelous cinematography. Everything that happens, in some queer way, feels natural to this strange futuristic world. Pris's acrobatic means of attacking Deckard? When Roy Batty chases Deckard in his shorts (when a few moments before he was fully clothed?) The film goes over-the-top to the point where I find myself asking, "why in the world would the characters do that?!" But here's what's interesting: as silly as Blade Runner may get it never betrays its own world. Particularly in its more climactic moments where the protagonist faces off against a replicant.
In some ways, many ways, Blade Runner strikes me as silly. Blade Runner is easily one of the best looking films ever made.
In fact, when I got to the Final Cut, which had been cleaned up, restored, and remixed, the picture and sound quite literally took my breath away. And across those eight hours I spent with the film, I did not get tired of watching – just watching – that futuristic film-noir vibe: deep dark shadows and majestic use of light and color used to make a run-down polluted cityscape look so beautiful. Watched all four versions pretty much back to back (minus the work print version) starting with the US theatrical and finishing with the Final Cut. I spent a weekend with the new DVD set of Blade Runner.
0 kommentar(er)
